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This suggests they can actually confer with something within the Soviet context. for that reason, the third ground produced super fluid and various paintings that had no specific conceptual framework. Nazareth Karoyan dubbed it Hamasteghtsakan or, jointly, made in Armenian. Arman Grigoryan, reflecting upon Karoyan’s preliminary conceptualization of the phrases, writes in his essay ‘What is Hamasteghtsakan Art’: ‘…Hamasteghtsakan paintings as soon as and without end liberates the murals from the chains of low and high, outdated and new, ours and others’, aim and subjective, figurative and non-figurative, dear and inexpensive, accredited and unaccepted, types and faculties, approach and know-how’ (Grigoryan 1993). it seems that they strove to free up either the artistic strategy and subjectivity actually from every thing. however, i'd argue that this overall freedom was once itself a ‘sign betokening the “non-Soviet” (Groys 1997) or “the adventure of others”’ (Karoyan 1995). hence, the dream approximately absolute inventive freedom refers back to the liberal individualist ideology of freedom. An excerpt from the 1992 third flooring manifesto illustrates this aspect: The human, knowing himself as an actively inventive person, additionally realizes that the only real which means of existence is lifestyles itself. by way of this he overcomes the tragic schism with nature, and in preference to pre-individualistic classes, he obtains self belief in his skills. Freedom is the dynamic trust in keeping with spontaneous job. Freedom seems to be as a feeling of human individuality…Freedom is a chance to be with your self. not anything and not anyone is ready to deprive guy of his internal individuality or diffuse his internal self-will1 (Grigoryan, Grigoryan, Matsakyan et al. 1992: 96). As an entire, we will be able to think that the third flooring was once a laboratory of up to date paintings background whose functionality used to be to make up for the shortcoming of latest paintings discourse in the framework of a restricted variety of exhibitions. artwork groups, Public areas and Collective activities | forty seven Arguably, they have been united now not simply because all of them shared a few confident concept; really they have been united as a way to be opposed to the procedure. it isn't unintended that when the breakdown of the third ground in 1994, Arman Grigoryan made an try and shape a brand new move at the foundation of the third flooring referred to as DEM (meaning ‘against’ in Armenian). The team spirit constructing, through in simple terms being opposed to every little thing denoting the Soviet Union, signified an ideological weak point which ended in uncritically embracing the liberal individualist ideology of freedom. artwork groups, analogous to their exhibitions, resembled household laboratories attempting to functionality like bourgeois public spheres inside and opposed to the discourse of the state-socialist public sphere. those have been public spheres current almost always in deepest areas (i. e. , studios, residences, and so forth. ) whereas their inventive positions have been primarily bourgeois: the person liberty of the artist, the idea of a homogeneous and inseparable artist/subject, the self reliant nature of paintings, art’s skill to impact and enjoyment, and so forth.